She made her first mistake by going for a solo holiday to a handsomely appointed manor in the English countryside, its seclusion and thick-hanging atmosphere the genre’s traditional invitation for peril.
He writes engagingly and the book is a good read."-Paul J.Leading the new film Men is a woman, the Jessie Buckley-played widow Harper Marlowe, who finds herself in a situation all too familiar to heroines of horror: something’s out to get her, and she’s not sure what. Shyon Baumann is the first to address these issues broadly for the case of American film. The book will be of great interest both to historians of film and to sociologists interested in how certain cultural products become respected and prestigious. " Hollywood Highbrow is a fine account of the process by which Americans came to view film as an art form. The book establishes a high place for Baumann among the new generation of scholars of culture, and I highly recommend it." -Jennifer C. It is a clear and through presentation of an extremely complicated process, and so it should satisfy the interest of both experts and their students and colleagues. "In sum, I strongly encourage scholars of cultural phenomena to read this fine text. Here, Baumann presents an in-depth examination of how cultural hierarchies change, conceptualizing cultural hierarchies as mulitcausal 'processes'." - International Review of Modern Sociology "What is perhaps most remarkable about Hollywood Highbrow is how it successfully synthesizes various causal explanations for how and why objects become culturally valorized. " Hollywood Highbrow: From Entertainment to Art is an important contribution to many disciplines: sociology of art and cinema, political economy of culture, American studies, cultural studies, even marketing, and, of course, film studies." -Yves LaBerge, Canadian Journal of Sociology Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies - and not just European ones - deserved to be considered art.
#HIGHBROW MOVIE MOVIE#
With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public’s perceptions of American movies just as those forces were radically changing the movies themselves. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. But during the first half century of motion pictures very few Americans would have thought to call an American movie “art.” Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. Today’s moviegoers and critics generally consider some Hollywood products - even some blockbusters - to be legitimate works of art.
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